Mockingbird Page 4

  For there was nobody young. Everybody was at least as old as I. And I am older than many of the fathers in the films. I am older than Douglas Fairbanks in Captain Blood—much older.

  Why is no one any younger than I? The films are full of young people. In fact, they predominate.

  Is something wrong?

  DAY TWENTY-FIVE

  As I grew up in the dormitory, along with the other boys and girls in my class, there was no group of younger children behind us. We were the youngest. I do not know how many of us there were in that big old cluster of Permoplastic buildings near Toledo, since we were never counted and did not ourselves know how to count.

  I remember that there was a quiet old building called the Pre-Teen Chapel where we would go for Privacy Drill and Serenity Training for about an hour each day. The idea was to sit there in a room full of children of your own age and become oblivious of their presence while watching moving lights and colors on a huge television screen at the front of the room. Weak sopors would be served by a moron robot—a Make Two—at the beginning of each session. I remember developing myself there to the point where I could enter after breakfast, stay for an hour after letting my sweet-flavored sopor dissolve in my mouth, and leave for my next class without ever being aware of the presence of anyone else—even though there must have been a hundred other children with me.

  That building was demolished by a crew of large machines and Make Three robots when we graduated from it and moved up to Teen Training. And when I was moved to the Sleep Center for Big People about a blue later, our old Sleep Center for Pre-Teens was demolished too.

  We must have been the last generation of children, ever.

  DAY TWENTY-SIX

  I saw another immolation today, at noon.

  It was at the Burger Chef on Fifth Avenue. I often go there for lunch, since my NYU credit card quite generously permits more extra expenses than I really need. I had finished my algaeburger and was having a second glass of tea from the samovar when I felt a kind of rush of air behind me and heard someone say, “Oh my!” I turned around, holding my tea glass, and there at the other end of the restaurant were three people, seated in a booth, in flames. The flames seemed very bright in the somewhat darkened room, and at first it was hard to see the people who were burning. But gradually I made them out, just as their faces began to twist and darken. They were all old people—women, I thought. And of course there was no sign of pain. They might have been playing gin rummy, except there they were, burning to death.

  I wanted to scream; but of course I didn’t. And I thought of throwing my glass of tea on their poor old burning bodies, but their Privacy of course forbade that. So I merely stood there and watched.

  Two servos came out from the kitchen and stood near them— making sure, I suppose, that the fire didn’t spread. Nobody moved. Nobody said anything.

  Finally, when the smell had become unbearable, I left the Burger Chef. But I slopped when I saw a man staring from outside through the window at the people in flames. I stood next to him for a moment. Then I said, “I don’t understand it.”

  The man looked at me, blankly at first. And then he frowned with a look of distaste and shrugged his shoulders and closed his eyes.

  And I began to blush from embarrassment as I realized that I was crying. Crying. In public.

  DAY TWENTY-NINE

  I have begun actually to write this down. This is one of my days off and I have not looked at the films today. What I did was get sheets of drawing paper and a pen from the Self-expression Department and begin to write down the words from my recorded journal, using the large letters from the first page of Dictionary as a guide. At first it was so difficult that I felt I could never keep it up; I would replay from my recorder a few words and then print them down on paper. But it soon became an ordeal. And trying to spell the larger words is most difficult. Some of them I have learned from the films and, fortunately, some of the really big ones I have recently learned from Dictionary and I usually can find them there, although it takes some searching.

  I believe there is some kind of principle of arranging the words in Dictionary—perhaps so they can be found easily—but I do not understand it. For pages, all of the words begin with the same letter, and then, abruptly, they start beginning with another, wholly different letter.

  After a few hours of writing my hand began to ache and I could no longer hold the pen. I had to take pain pills; but when I did I discovered that they made it more difficult to pay attention to what I was doing, and I would miss whole words and phrases.

  I had suspected that drugs might affect a person this way; but I had never had so convincing a proof before.

  DAY THIRTY-ONE

  I did not go to the zoo today.

  I’ve printed words on paper constantly all day. Through lunch-time until now, when it’s beginning to get dark outside. The pain in my hand became intense but I did not take pain pills and after a while I seemed even to forget about it. In fact, there was—how shall I say it?—something rewarding about the experience of sitting there at my desk, my hand and wrist filled with pain, printing words onto a piece of paper. I finished my journal up until day twenty-nine, and although I am here recording this now, into the voice recorder, I am anxious to pick up paper tomorrow and return to the task of printing the words.

  There is something in my mind that will not stop insisting itself. That is the phrase “Memorize my life,” which the woman at the House of Reptiles had spoken the other day. Writing it down as I did about an hour ago, I could see something in the words, something that took me a moment to grasp entirely. What I was doing myself was memorizing my life. Putting these words on paper, unlike just reading them into a recorder, was a mental act—what the woman called “memorizing.” I stopped my work after I had written down the words “Memorize my life,” and I decided to do a little thing. I took Dictionary and kept going through all the pages until I came to all the words that together began with the letter “M” and then I began to look through those. After a while I realized it was a sort of pattern, because words that started with an “M” followed by an “E” were all together. I looked through that group of words until finally, after some searching, I discovered the word “memorize.” And this was the definition given: “To learn by heart,” and how strange that was—heart, to learn by heart. I could not understand it all. And yet the word “heart” seems somehow right, for I know that my heart has always beaten. Always.

  I have never in my life seemed to see and hear and think so clearly. Can it be because I have not used drugs this day? Or is it this act of writing? The two are so new and have come together so closely that I cannot be sure of which it is. It is extremely strange to feel like this. There is exhilaration to it, but the sense of risk is almost terrifying.

  DAY THIRTY-THREE

  Last night I could not sleep. I lay in bed awake, staring at the stainless-steel ceiling of my room in the archives. Several times I started to call for the servo robot and ask for sopors but I was determined not to. In a sense I enjoyed the feeling of sleeplessness. I got up for a while and began to walk around the room. It is a bright room with a thick, heavy, lavender carpet. There is a desk that is combined with my bed and on the desk is Dictionary. I spent about an hour turning through the book looking at the words. What meanings are locked in those words, and what a sense of the past!

  I decided to go out. It was very late. There was no one on the streets, and although New York is certainly safe, I felt tense and a bit frightened. I had something on my mind and I could not let it go and I was determined not to take a sopor. I summoned a thought bus and told it to take me to the Bronx Zoo.

  I was alone on the bus. I watched out its windows as it went winding the long way between the bungalows and empty lots of Manhattan. I looked at the lights in the buildings where some people still sat watching their television. New York is very peaceful, and especially at night, but I thought of all those people, those lives, watching television, and
I kept thinking, They know nothing of the past, not of their own past, nor of anyone else’s past. And of course it was true and I had known it all my life. But here at night, alone on the bus going through New York toward the zoo, I felt it most strongly and the strangeness of it began to overwhelm me.

  The House of Reptiles was dark but it was not locked. I made noise when I came in the door and I heard the girl, startled, say, “Who’s there?”

  I said, “Only me.”

  And I heard her gasp and say, “My God! At night now, too.”

  “I guess so,” I said, and then I saw the flash of her striking a light with a cigarette lighter and then the light steadied and I saw that she had lit a candle. She must have taken it from her pocket. She set it on the bench.

  “Well,” I said, “I’m glad you have light.”

  She must have been asleep on the bench, for she stretched herself, and then she said, “Come on. You might as well sit down here.”

  So I went over and sat beside her. I could feel my hands trembling. I hoped she didn’t notice. For some time we were silent, sitting on the bench. I could not see the reptiles in their glass cases, nor did they make any sounds. The room was silent. The light from the candle flame moved on her face. Finally she spoke.

  “You’re not supposed to be at the zoo at night,” she said.

  I looked at her. “Neither are you.”

  She looked down at her hands, which were folded in her lap. There was something nice about the gesture. I had seen it in the old films many times. Mary Pickford. She looked up at me. The intensity of her stare was softened a bit by the candlelight.

  “Why did you come here?” she said.

  I looked at her a long time before speaking and then I said, “It was the words you used the other day. I have not been able to get them out of my mind. You said you were going to memorize your life.”

  She nodded.

  “At first I didn’t know what that meant,” I said, “but now I think I do. In fact, I think I am trying to do the same thing or something like it. Not my early life, not my childhood or in the dormitories or when I was in college, but the life that I am living now, have been living for some time. I am trying to memorize that.” I stopped. I didn’t know exactly how to go on. She was looking at my face closely.

  “Then I’m not the only one,” she said. “Maybe I’ve started something.”

  “Yes,” I said, “maybe you have. But I have something that you may find helpful. Do you know what a recorder is?”

  “I think so,” she said. “Don’t you say things into it and it says them back? Like when you call a library for information and the voice that gives it to you is not a person speaking then, but a person who spoke some time ago.”

  “Yes,” I said. “That’s the idea. I have a recorder. I thought you might like to try it.”

  “Do you have it with you now?” she said.

  “Yes,” I said.

  “Good,” she said. “That would be interesting, but we’ll need light.” She got up from the bench and walked across the room out of the light from the candle flame and I heard her opening something. And then I heard a click and the room was flooded with brightness. The glass from all of the cases glowed at me and there in them all of the reptiles, the iguanas, python, the green monitor lizards, the massive brown crocodiles in the cages, there they all sat, not moving, silent in all of that synthetic vegetation. She came back over to the bench and sat beside me. I could see now that her hair was badly mussed and there were creases in her face from sleeping on the bench. Yet evert so she looked fresh and very much awake.

  “Let’s see this recorder,” she said.

  I fumbled in my pocket and pulled it out. “Here it is,” I said. “I’ll show you how it works.”

  We must have been there for over an hour. She was fascinated by the recorder and asked if she could keep it awhile but I told her it was impossible, that I had to use it in my work and they were very difficult to obtain. For a moment I almost told her about reading and writing but something restrained me from doing so. Maybe I would tell her at another time. When I told her it was time for me to return to where I stayed, she said, “Where do you stay? Where do you work?”

  “At New York University,” I said. “I only work there temporarily for this summer. I live in Ohio.”

  “What do you do at the university?” she said.

  “I work with ancient films,” I told her. “Do you know what films are?”

  “Films? No,” she said.

  “Well, films are like video records. A way of recording images that move. They were used before the invention of television.”

  Her eyes widened. “Before the invention of television?”

  “Yes,” I said, “there was a time once when television had not been invented.”

  “My God,” she said. “How do you know that?” Actually, of course, I didn’t know that, but I had guessed from the films that I had seen that they came before television because the people in those families’ houses in the films never had television sets. The idea of the sequence of events and circumstances—that things had not always been the same—was one of the strange and striking things that had occurred to me as I had become aware of what I can only call the past.

  “That’s very odd,” the girl said, “to think that there may not have been television once. But I feel I can understand that. I feel that I understand a good many things since I have begun to memorize my life. You get the sense that one thing comes after another and that there is change.”

  I looked at her. “Good God, yes,” I said. “I know what you mean.” Then I took my recorder and left the room. The thought bus was waiting. It was beginning to become daylight. Some birds were singing and I thought, Only the mockingbird sings at the edge of the woods. But this time thinking it, I felt no sadness.

  When I started to walk toward the bus I somehow felt awkward. I felt as though she had done me a great service. The nervousness that had driven me out here to the zoo in the middle of the night was now as dissipated as though I had taken two tabs of Nembucaine. . . . But I did not know how to thank her, so I merely stepped back into the building and said, “Good night” and started to leave again.

  “Wait,” she said, and I turned around to face her.

  “Why don’t you take me with you?”

  That came as a shock. “Why?” I said. “For sex?”

  “Maybe,” she said. “Not necessarily. I would . . . like to use your recorder.”

  “I don’t know,” I said. “I have an agreement with the university. I’m not sure . . .”

  Suddenly her face changed. It became frighteningly twisted in anger—anger as great as on the faces of some of the actors in the films. “I thought you were different.” Her voice was trembling, but controlled. “I thought you didn’t care about making Mistakes. About Rules.”

  Her anger was very upsetting. Showing anger in public—and this was, in a sense, a public thing—was one of the worst of Mistakes itself. Almost as bad as my crying outside the Burger Chef had been. And then I thought of myself, of my crying, and I did not know what to say.

  She must have interpreted my silence as disapproval, or as the beginning of a Retreat into Privacy, because suddenly she said, “Wait.”

  She walked quickly out of the House of Reptiles as I stood there, not knowing what else to do. In a moment she returned. She was carrying a rock as big as her hand. She must have taken it from one of the flower borders outside. I watched her, fascinated.

  “Let me show you about Mistakes and Rules of Behavior,” she said. She drew back and hurtled the rock right into the glass front of the python’s case. It was astonishing. There was first a loud noise and the front of the case caved in. A large triangle of glass crashed to the floor at my feet and broke. While I stood there horrified, she walked up to the case, reached in with both hands, and pulled out the python. I shuddered; her confidence was overwhelming. What if the snake were not a robot?

  She dra
gged the creature over headfirst, pulling open its mouth as she did so and bending to peer down into it. Then she held the head out toward me, with the broad, evil-looking mouth gaping wide. We had been right. About a foot or so down the throat was the unmistakable nuclear battery pack of a Class D robot.

  I was too horrified by what she had done to be able to say anything.

  And as we stood there in what must have looked like a “tableau” in the old movies, she triumphantly holding the serpent and I watching in horror at the magnitude of what she had just done, there was a sudden noise behind me and I turned just as the door between two of the reptile cases in the wall opened and a tall, fierce Security robot came striding out. As he came toward us his voice boomed: “You are under arrest. You have a right to remain silent, you may. . .”

  The woman had been looking up coolly at the robot, who towered over her. And then she interrupted him sharply. “Bug off, robot,” she said. “Bug off and shut up.”

  The robot stopped talking. He was immobile.

  “Robot,” she said. “Take this damn snake and get it fixed.”

  And the robot reached out, took the snake from her into its arms, and quietly walked out of the room into the night.

  I hardly knew what I felt, seeing it all. It was a little like watching those violent scenes in some of the films, like the one in Intolerance where the great stone buildings came crashing down. You just stare at it all and feel nothing.

  But then I began to think, and I said, “The Detectors . . .”

  She looked at me. Her face was surprisingly calm. “You have to handle robots like that. They were made to serve people, and nobody knows it anymore.”